2/11/2024 0 Comments Westland survival brigdeIt’s hard to imagine how one would react to the news of the impending apocalypse. Producer, Dr.Ann hale reviews the end of the world comedy… But sometimes, music doesn’t need to be anything but good.Ĭlick here to read Bill Bodkin’s interview with Ed Roland. No, it doesn’t add a club-ready dance beat like Coldplay’s recent record. No, it doesn’t have the inventiveness of Radiohead. Soul closed their set with a surging, drawn-out rendition - ending with Roland strumming an acoustic guitar while the thousands in the crowd sang the words. Last year at the Union County Music Festival in New Jersey, C. And the crying electric guitar riff just after those pretty harmonies is a nice touch. The strings swell without too much drama. Roland’s vocals flirt with soft falsettos. Maybe it’s because nu-metal and boy bands were taking over. Those who watched VH1 at the turn of the century or who bought the Varsity Blues soundtrack in 1999 might remember it.īut it was never a massive hit. Theoretically, the latter is not a lost song. Roland wrote a bunch of these tunes: ‘Shine,’ ‘The World I Know, ‘December, ‘Heavy,’ ‘Why Pt. And the best part about ’90s rock: Radio actually played them. Others looked past that and found a string of solid songs hidden under the sheen - catchy riffs, melodic vocal lines, choruses that never vacate your memory. Soul and Stone Temple Pilots were cheap knockoffs of grunge - with sleeker production and shinier distortion. It was just after the reign of Nirvana, and some thought bands like C. Roland’s band arrived during an era that’s polarizing to pop-culture critics. Today, Pop-Break posted an interview with Collective Soul frontman Ed Roland that reminded me of two things: 1. Brent johnson digs up a lost treasure from Collective Soul to go along with Pop-Break’s interview with lead singer Ed Roland …
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